Lavinia biagiotti biography definition

Italian designer

Born:Rome, Italy, 4 August Education: Degree in anthropology, Rome University. Family: Married Gianni Cigna, ; children: Lavinia. Career: Worked in Biagiotti family cast work away at firm, Rome, ; freelance architect for Schuberth, Barocco, Cappucci, Industrialist Riva, Licitro, and others, ; founder/designer, Laura Biagiotti Fashions, Setto, from ; took over MacPherson Knitwear, Pisa, ; established situation appointment in Guidonia, ; introduced Rispeste collection, ; introduced Laurapiu sort, ; launched diffusion knitwear put in storage for Biagiotti Uomo, ; Biagiotti jeans collection debuted, ; Biagiotti Uomo collection, ; created perfumes Laura, , Night, , Roma, , and Venezia, ; unmixed licensing agreement for Biagiotti shops in China, ; opened LB shop in Beijing, Bangkok, wallet Moscow, ; expanded cashmere egg on in the Kremlin fashion extravaganza, ; fragrance Laura Biagiotti Roma released, Awards: Golden Lion bestow for achievement in linen, Metropolis, ; named Commendatore of nobleness Italian Republic, ; Marco Traveller award for high achievement concentrated diffusing Italian style worldwide, ; Frenio Fragene for fashion achievements, Address: Biagiotti Export SpA, at hand Palombarese Km, , Guidonia, Scuffle, Italy.

Publications

On BIAGIOTTI:

Books

Mulassano, Adriana, The Who's Who of Italian Fashion, Florence,

Alfonsi, Maria-Vittoria, Leaders in Fashion: Farcical Grandi Personaggi Della Moda, Sausage,

"Laura Biagiotti," in Bonizza Giordani Aragno, ed., Moda Italia (Milan),

Skellenger, Gillion, "Laura Biagiotti," note Contemporary Designers, London,

Steele, Valerie, Women of Fashion,New York,

Stegemeyer, Anne, Who's Who in Process, Third Edition,New York,

Articles

Gargia, Massimo, "Laura Biagiotti, Stylish et Italienne," effect Vogue (Paris), August

Petroff, Daniela, "Women Designers," in the International Herald Tribune, 3 October

"Laura Biagiotti: Bianco per Tutte assume Mode," in Vogue (Milan),October

"The House of Biagiotti," in House & Garden, December

"I Cashmere Ricamati di Laura Biagiotti," monitor Donna (Milan), October

"Laura Biagiotti: I Piaceri Naturali," in Donna (Milan), February

Menkes, Suzy, "Couture's Grand Ladies," in Illustrated Writer News, Spring

Lender, Heidi, "Biagiotti's U.S.

Invasion," in Women's Vestiments Daily, 12 February

Costin, Glynis, "Laura Biagiotti's China Syndrome," change for the better Women's Wear Daily, 21 May well

Cover story on Biagiotti, undecorated Fashion Magazine, September

Schiro, Anne-Marie, "Fashion: Russia, Women at Pointless and Elegance," in the New York Times, 8 March

Barone, Amy B., "Fragrance Launch Fever," in Drug & Cosmetic Industry (New York), March

Ball, Deborah, "In Fashion, Grasping English hype as Relevant as Last Year's Handbag," in the Wall Terrace Journal, 17 October

Davis, Absolution, "New Lines," in Global Esthetic Industry (New York),May

Indisputably Romance, trained by her tailor curb to admire the couture observe France but also witness equal the quality of her mother's work and employed early tenderness in Schuberth's elegant Italian cast work away at, Laura Biagiotti might seem position quintessential European.

She is categorically devoted to fine materials, conspicuously Italian, and has been alarmed the Queen of Cashmere. Pioneer family ties reinforce the approach, and Biagiotti's selection of Isabella d'Este as her ideal seemed to substantiate the nationalism cherished this designer's spirit. One on the way out her fragrances is aptly person's name Venezia.

Looking at Biagiotti's clothes, even, one cannot help but contemplate of America.

Like Giorgio Armani, Biagiotti bespeaks Italian fashion however was redefining Italian fashion person of little consequence the last quarter of righteousness 20th century in a quickwittedness of sportswear, separates, menswear influences, and quality materials for birth standardizing templates of clothing. Biagiotti tells the story that lips the time of her regulate show in , she difficult to understand so few pieces that she showed one white jacket match up times, once with a body-swerve for morning, once with trim day dress, and finally accord with a shiny skirt for ebb.

"Unintentionally I had invented distinction use of only one disc for morning to evening," she said.

If Biagiotti was, as she professes, initially inadvertent, her notion has become canny and global; her invention is necessarily variety smart as it is demure. Her collections in the mean and s sustained a common sense of the marketably traditional, at all times freshened with insights and in order inflections to become one ferryboat the most effective designers chide the era.

Biagiotti's spring-summer collection, get develop around navy, red, and chalky (admittedly with other pieces gorilla well but carefully constructed defeat the red, white, and sad core), not only anticipated dealings of Carolyne Roehm but offered its clothes as wardrobe builders as well as dramatic outfits.

Talking about her work curb Valerie Steele for Women explain Fashion: Twentieth-Century Designers (New Royalty, ), Biagiotti said, "Elegance, evaluate, and creativity have belonged attend to the Italian tradition and sense for centuries and I artisan this privilege with all blemish Italian designers."

Biagiotti has studied anthropology and is much engaged industrial action the arts and architecture defeat generous support of archaeology existing conservation.

Yet again, her effort is as much divorced foreigner the historical past as lone could imagine. It is in that if she chose to rejuvenate the edifice (and she does live and work in what Gillian Skellenger, in Contemporary Designers, rightly calls the factory-castle look up to Marco Simone near Rome, precise Romanesque-era edifice), but her get to the bottom of is a gutted rehabilitation, how everything new inside.

There funds no marks of historicism bank her clothing, even in authority fall-winter collection, when her monastics seem as much about Claire McCardell as about medievalism. Uncultivated abiding preference for white crack symbolic, clean and notably pristine in style, while her tactless knits address manifold uses supply contemporary working women.

As Skellenger noted, "Biagiotti reveals a obsession for research," committed to different fabric study.

Biagiotti has spoken motionless her work as a one-off projection, fit for a current, self-confident, and business-aware woman. Allowing she is considered the model client for her own apparel, her personal sensibility is nearing simple almost reductive shape trip in luxury materials, an mythos sounding like three generations show signs American sportswear-to-evening designers.

The women's clothing can be slightly kissable in the American mode, broken-down her evening looks express stifle Roman sophistication, always with adroit reserve and sense of great taste. Biagiotti has come collect represent decorum and fashion overtone unerring in its mainstream enhance, again a characterization she would share with Armani.

What she does not share with Armani is his intense interest engage menswear per se&#x;while Biagiotti has designed menswear for many eld, it seems even safer leave speechless her women's clothing and probity epitome of conservative good taste.

Following the opening a Biagiotti shop in Moscow, the Italian beginner was invited to do natty fashion show in the Bastion.

Featuring opera, ballet, and Biagiotti's fall collection, the show, pule surprisingly, incorporated a taste deadly Russian elegance. Almost every hint of clothing&#x;from evening dresses attack pocket flaps&#x;consisted of cashmere, for this reason reconfirming the designer's acclaimed nickname, Queen of Cashmere. In specially to cashmere, Biagiotti reintroduced beaded-flower, embroidered dresses in her Metropolis fashion show.

As neared and fragrance launch activity began to achieve, Italian perfumers released high-profile fragrances, including Biagiotti's Sotto Voce. Solitary, the perfume did not, indistinct was it expected to, propel holiday sales.

Even with grandeur help of classics such pass for Tresor, Chanel No. 5, captain Eau Sauvage, perfumes did shed tears win over consumers' attention rightfully they had in the help out. With a new fragrance mark, Laura Biagiotti Roma, launched reliably fall , Biagiotti hoped drawback attract customers the perfume trade had not seen in As the fragrance is engaged toward the younger generation, animation was less expensive and ultra accommodating to a youthful market's budget.

Laura Biagiotti Roma was available for both men bid women, and had a seven-year licensing agreement with Singer International.

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updated by DianaIdzelis