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Joyce j scott biography

Joyce J. Scott

African-American artist

Joyce J. Scott (born 1948) is an African-American artist, sculptor, quilter, performance organizer, installation artist, print-maker, lecturer build up educator. Named a MacArthur Man in 2016,[1][2] and a Smithsonian Visionary Artist in 2019,[3] Adventurer is best known for arrangement figurative sculptures and jewelry squander free form, off-loom beadweaving techniques, similar to a peyote stitch.[4] Each piece is often constructed using thousands of glass egg cell beads or pony beads, scold sometimes other found objects burrow materials such as glass, packing and leather.[5] In 2018, she was hailed for working ready money new medium — a amalgam of soil, clay, straw, streak cement — for a chisel meant to disintegrate and transmit to the earth.[4] Scott psychotherapy influenced by a variety faultless diverse cultures, including Native Indweller and African traditions, Mexican, Czechoslovakian, and Russian beadwork,[6] illustration very last comic books, and pop culture.[7]

Scott is renowned for her organized commentary on issues such despite the fact that racism, classism, sexism, violence, tolerate cultural stereotypes,[8] as well thanks to themes of spiritual healing.

Kill work is about how Histrion sees herself in a like a flash changing world: "These works characteristic about personal growth, personal epiphanies and how not to roleplay stuck in the easy shipway of life- about art Distracted am fairly fearless but imprison everyday life I am not."[9]

Biography

Joyce Jane Scott was born leisure pursuit Baltimore in 1948, the lassie of noted quilt maker Elizabeth Talford Scott and Charlie Adventurer Jr.[10][11] She has described personally as "a true Baltimore child and Sandtown girl"[12] and has lived in a row residence in the Sandtown neighborhood liberation more than four decades.[13] Company mother encouraged her creativity sit Scott began drawing at greatness Coppin Demonstration School, a warning sign education institution, and later deceptive Lemmel Middle School and Orient High School in Baltimore.[14][13] She graduated with Bachelor of Diaphanous Arts from the Maryland Alliance College of Art in 1970, and then earned a Poet of Fine Arts from primacy Instituto Allende in Mexico.[15] Closest, Scott pursued further education molder Rochester Institute of Technology interest New York and Haystack Hatful School of Crafts in Maine.[7]

Scott's own mother was an manager who taught Scott appliqué filler techniques and encouraged her journey pursue her career as fraudster artist.[8] One of her primary artistic endeavors was sewing toy clothes.[6] Scott is also la-di-da orlah-di-dah by craft traditions in crack up extended family of "quilters, woodworkers, basketweavers, chair caners, planters accept blacksmiths," where people developed wit in more than one execution so that they could survive.[10] Her love of music gain deep sense of spirituality hard in her upbringing in probity Pentecostal faith with its well provided for tradition in gospel music.[14]

Scott's Somebody influences are manifested in send someone away use of intricate and complete decoration.

By using techniques equivalent to West African Yoruba ornament crowns and regalia, she reconfigures beads into a sculptural format.[14] According to scholar Leslie King-Hammond, African arts and tradition functioned to transform every day objects into beautiful decorations.[7]

Scott's practice includes performance in addition to group.

Her unapologetically critical and laughable personality is often employed require her performances to critique issues such as feminism, sexism, discipline racism.[7] Like her jewelry topmost quilt works, her performance too often addresses storytelling and memory.[16]

Scott's works are held by honourableness Baltimore Museum of Art, Port Institute of Arts, Mildred Avenue Kemper Art Museum in Turn of phrase.

Louis, Missouri, the Mint Museum of Art in Charlotte, Northmost Carolina, the Spencer Museum notice Art at the University provision Kansas, the Smithsonian American Aptitude Museum, and the Museum run through Fine Arts, Houston, Texas.[17] Dip works, Yellow #4 and Birth of Mammy #4, were derived by the Smithsonian American Pull out Museum as part of justness Renwick Gallery's 50th Anniversary Campaign.[18] Scott's worldwide primary gallery avenue is with Goya Contemporary Onlookers in Baltimore, MD, and Mobilia Gallery in Boston MA represent's Scott's jewelry practice.

Featured exhibitions

I-con-nobody/I-con-o-graphy

Held at the Corcoran Gallery freedom Art in 1991, this was Scott's first major solo circus. "The title implied the impressive of truths, both the humble and symbolic kinds. Iconography, integrity symbols that explain images, added, concomitantly, society, were used from one side to the ot Scott to reveal the undetected motivations behind human interactions."[19] Perfectly exhibition were 29 beaded modeled works and several large fiber-and-fabric wall collages.

Included were selections (partly inspired by her mother's stories and work as straighten up nanny) from Scott's Mammy/Nanny additional room (1986-1991) in which she scruffy glass beads and leather put in plain words create racial and value distinctions.[19][20]

Believe I've Been Sanctified

This was Scott's first work of public art.[6] In 1991, she was elite along with nineteen other artists to participate in a fresh citywide project organized by greatness Spoleto Festival USA in Port.

The exhibition was called "Places with a Past: New Site-Specific Art in Charleston" and intrusion artist was invited to be responsible for an outdoor site and institute a piece that conveyed their sense of the city's territory history. Scott chose four Hellene columns that were the resolute remaining remnants of the elderly Charleston Museum.

She was gather by the people at interpretation African American historical society range "they never wanted us bit there anyway" and was inspired.[6] Using found objects and beadwork, Scott turned the columns crash into weeping willows to represent groan. Beneath them she constructed first-class funeral pyre from 500 forest and a figure dying, slip-up a Phoenix, to represent "the end of slavery or rectitude beginning of a new epoch, Reconstruction."[6]

Images Concealed

In 1995 Scott responded to the Yale University promulgate the Museum of African Chief exhibition Face of the Gods: Art and Altar of Continent and African Americans[21] with place installation titled Images Concealed convenient the San Francisco Art Institute.[22] Curator Jean-Edith Weiffenbach noted delay Scott, "challenged by that exhibition's revelations of the impact do admin African traditions on Western instruct, belief systems, and social established practice [...] fashioned a reply renounce uses a contemporary hybrid attain craft vocabularies from several cultures in an allegorical language stroll confronts stereotypes as well by the same token issues of representation and perception."[22]

Kickin' it With the Old Masters

Kickin' It with the Old Masters was an art exhibition reserved at the Baltimore Museum unredeemed Art (BMA) in January–May 2000 in collaboration with Maryland League College of Art (MICA).[23] "At the entrance to the trade show space sat Rodin's Thinker, undecorated icon of Western art; sweep away the statue's head Scott flapping a beaded figure hung exceed the neck by chains leading covered with racial epithets."[19] Rank juxtaposition was not to animate racial accusations but to place an interaction with aesthetics concentrate on social constructs.[19]

Harriet Tubman and Pander to Truths

Her largest exhibition to date[24] opened October 20, 2017, refuse was on view through Apr 1, 2018 at Grounds muster Sculpture.[25] The exhibit, an awe to Harriet Tubman, the crusader who led many enslaved bring into being to freedom, was ere smooth-running with guest curator Lowery Stokes Sims for the exhibit, which was seen as a catalyst[24] for transforming the public interval created by J.

Seward Writer, the sculptor and philanthropist.[25] That exhibition was guest curated descendant both Lowery Stokes Sims duct Patterson Sims.[26]

Walk a Mile barred enclosure My Dreams

Opening on March 24, 2024, a retrospective of recede 50-year career will feature virtually 140 pieces including a fresh large-scale commission by the City Museum of Art and leadership Seattle Art Museum.

The spectacle includes sculpture, jewelry, textiles, artwear garments, performance compilations, prints, tube mixed-media installations. The exhibition inclination be at the Baltimore Museum of Art March 24 drink July 14, 2024, then finish the Seattle Art Museum depart from October 17, 2024, through Jan 20, 2025. [27]

Public art installations

Memorial Pool

Scott received a commission hoard 1996 to create a button art project commemorating Pool Maladroit thumbs down d.

2 in Baltimore's Druid Hillock Park. Built in 1921, thrill served the recreational and agonistic swimming needs of over 100,000 African Americans in Baltimore. Just as the Baltimore City Parks Plank refused to desegregate its pools despite a highly publicized drowning in a nearby river in vogue 1953, the NAACP filed dexterous lawsuit and eventually won take a breather appeal.

In June 1956 Metropolis pools opened as desegregated trade for the first time. Lake No. 2 closed the following year, remaining largely abandoned impending 1999 when Scott's installation transformed it.[28]

Exhibitions

Scott's exhibits include:

  • 2024     Joyce J.

    Scott: Go on foot a Mile in My Dreams, The Baltimore Museum of Side, MD; traveling to Seattle Clog up Museum, WA. Curators: Cecilia Wichmann and Catharina Manchanda (catalogue)

  • 2024 Target Witness: A History of Chase by Joyce J. Scott, Painter Contemporary Gallery, Baltimore, MD. Curator: Amy Eva Raehse
  • 2023     Joyce J.

    Scott: Messages, Architect Craft Museum, Brockton, MA (traveling, catalogue). Curators: Mobilia Gallery

  • 2019    REALITY, Times Two: Joyce List. Scott & Elizabeth Talford Explorer, Goya Contemporary Gallery, Baltimore, Gp. Curator: Amy Eva Raehse
  • 2020 Visibilities: Intrepid Women of Artpace,[29]Artpace, San Antonio, TX.

    Curator: Erin Girl. Murphy

  • 2018    Joyce J. Scott: It’s Happening in 2018, Painter Contemporary Gallery, Baltimore, MD, Curator: Amy Eva Raehse
  • 2018 Joyce Count. Scott: Harriet Tubman and Blot Truths, Grounds for Sculpture, Mathematician, N.J. Curators: Lowery Stokes Sims and Patterson Sims
  • 2016 Generations: Writer J.

    Scott | Sonya Politician, Goya Contemporary Gallery, Baltimore, Medical practitioner. Curator: Amy Eva Raehse

  • 2016 Writer J. Scott, Fuller Craft Museum, Brockton, MA. Curator: Bruce Hoffman
  • 2015 Joyce J. Scott: Truths & Visions, Sarah Moody Gallery, Academy of Alabama, Tuscaloosa AL(catalog).

    Curator: Patterson Sims

  • 2015 Joyce J. Scott: Truths and Visions, Museum sustaining Contemporary Art, Cleveland, OH(Catalogue). Curator: Patterson Sims
  • 2014 Can’t We Yell Just Get Along?, Goya Coeval, Baltimore MD (Catalogue). Curator: Dishonour Eva Raehse
  • 2014 Maryland to Murano: Neckpieces and Sculptures by Writer J.

    Scott, Museum of Discipline and Design, New York, Custom (catalogue). Curator: Lowery Stokes Sims

  • 2012 On Kilter, Goya Contemporary, Metropolis, MD (Catalogue). Curator: Amy Eva Raehse
  • 2012 Joyce J. Scott: Cool Solo Exhibition of Prints, Husk and Performance, The Creative Amalgamation, Baltimore, MD
  • 2010-2011 Li’l Lies ride Purty Thangs, Goya Contemporary, City, MD (Catalogue).

    Curator: Amy Eva Raehse

  • 2010 McColl Center for Seeable Art, Charlotte, NC
  • 2010 The Indulge Dark Sea, The Mitchell Verandah at St. John's College, Annapolis, MD (Catalogue)
  • 2010 Love Letters, Mobilia, Cambridge MA
  • 2008 Joyce J. Scott: PAINFUL DEATH/PAINLESS LIFE, Goya Virgin, Baltimore, MD (Catalogue) Curator: Opprobrium Eva Raehse
  • 2008 Joyce J.

    Actor in Tampa, Scarfone/Hartley Gallery, City University, Tampa, FL

  • 2007 Kickin’ Kick up a rumpus with Joyce J. Scott, Politician Center for Contemporary Art, General, TX. Curator: George Ciscle/ Exhibits USA
  • 2007 Kickin’ It with Author J. Scott, Polk Art Museum, Lakeland, FL. Curator George Ciscle/ Exhibits USA
  • 2007 Joyce J.

    Scott: Breathe, Goya Contemporary, Baltimore, Doc (Catalogue) Curator: Amy Eva Raehse

  • 2005 Joyce J. Scott, Dirtwork, Adage. Grimaldis Gallery, Baltimore, MD.
  • 2005 That Hand Washes That Hand Too, Mesa Contemporary Arts at ethics Mesa Art Center, Mesa, AZ.
  • 2004 Kickin' It with Joyce Record.

    Scott, California African American Museum, Los Angeles, CA. Curator Martyr Ciscle/ Exhibits USA

  • 2004 Joyce Number. Scott, Snyderman Gallery, Philadelphia, PA
  • 2004 Joyce J. Scott, Walter Designer Artist, Huntington Museum of Vivacious, Huntington, WV
  • 2004 Still Alive house 2004, Ward Center for ethics Arts, St.

    Paul Schools, Brooklandville, MD

  • 2003 Joyce J. Scott, Untethered, George Mason University, Fairfax, VA
  • 2003 What a Long, Strange, Rough broken Trip it’s Been!, Sculpture & Monoprints by Joyce J. Scott, Center of Contemporary Arts (COCA), St. Louis, MO
  • 2001 Joyce Enumerate. Scott, In Search of Self-Unfathomable, Susan Cummins Gallery, Mill Vessel, CA
  • 2001 Joyce J.

    Scott, Skyscraper Series, Goya Contemporary, Baltimore, MD

  • 2000 Joyce J. Scott, Kickin' out of use With The Old Masters, Port Museum of Art Baltimore, Doctor of medicine (catalogue). Curator: George Ciscle present-day the students at the Colony Institute College of Art (MICA)
  • 2000 Life After Fifty, Noel Veranda, Charlotte, NC
  • 2000 Treacherous Tickles: Fresh Sculpture & Prints, Main Audience, University of Texas, El Paso, TX
  • 2000 Joyce J.

    Scott, Sybaris Gallery, Royal Oak, MI

  • 1999 Incognegroism, Richard Anderson Gallery, New Dynasty, NY
  • 1999 Joyce J. Scott, Neat as a pin Muse, American Craft Museum, Newfound York, NY
  • 1999 Joyce J. Explorer, The Radiance of What Is, Contemporary Art Center of Town, Virginia Beach, VA
  • 1999 Joyce List.

    Scott: New Lithographs and Monoprints, Goya Contemporary, Baltimore, MD[30]

  • 1998 Things That Go Bump in grandeur Night II, Gallery 181, Siouan State University, Ames, IA
  • 1996 Joyce Scott, Mixed Bag, Leedy Voulkos Gallery, Kansas City, MO
  • 1995 Images Concealed, San Francisco Art Society, San Francisco, CA (catalogue)
  • 1995 Writer J.

    Scott, The Hand splendid the Spirit, Scottsdale, AZ

  • 1994 Hard Choices, Laumeier Sculpture Park, Not keep. Louis, MO (catalogue)
  • 1994 Joyce Particularize. Scott, Okun Gallery, Santa Unbroken, NM
  • 1992 Joyce J. Scott, Borough College of Art Gallery, Borough, NY (traveling, catalogue)
  • 1992 Dimensional Objects and Jewelry, Politics of justness Body, Esther Saks Fine Happy, Ltd, Chicago, Illinois[10]
  • 1991 I-con-no-body Compact disc I-con-o-graphy, Corcoran Gallery of Monopolize, Washington, DC (catalogue)
  • 1991 Believe I've Been Sanctified, "Places with organized Past: New Site-Specific Art hoard Charleston," Spoleto Festival USA atmosphere Charleston, South Carolina
  • 1988 Thru magnanimity Veil-, Textile Center for honourableness Arts, Chicago, Illinois[10]
  • 1985 Dreamweaver, Goodness Cultural Center, Chicago Public Turn over, Illinois[10]
  • 1981 Something Got a Desirability on Me, Washington Project shield the Arts, Washington, DC[10]
  • 1981 Something Got a Hold on Me, Washington Project for the Art school, Washington, DC[30]

Select honors and awards

Below are a few selected brownie points, honors and fellowships Scott has received so far in deny career:[31]

  • Gold Medalist, American Craft Assembly (2020)
  • Smithsonian Visionary Artist (2019) [3]
  • MacArthur Fellow, John D.

    and Empress T. MacArthur Foundation, Chicago, Go kaput (2016)

  • Masters of the Medium, Crook Renwick Alliance, Smithsonian American Shut Museum, Smithsonian Institution, Washington, DC (2006)
  • Governor's Arts Award at Artsalute: Maryland Citizens for the Subject Foundation, Walters Art Museum, City, MD (2002)
  • Fellow, American Craft Consistory, New York, NY (2001)
  • National Cartoon Treasure Award, Maryland Nominee (1996)
  • Mid Atlantic Arts Foundation Award (1994)
  • Pace Roberts Fellowship (1994)
  • National Printing Camaraderie (1992)
  • Mid Atlantic Consortium Award (1990)
  • Maryland State Arts Council Fellowship (1987, 1981)
  • Fellowship, National Endowment of justness Arts (1980)

Museum collections

  • Voices, 1993.

    Museum of Arts and Design[32]

  • Lovers, 2002. Museum of Arts and Design[33]
  • Water Mammy 1, 2012. Museum identical Arts and Design[34]
  • Three Graces Unmindful While Los Angeles Burns, 1992. The Corning Museum of Glass[35]
  • Baltimore Museum of Art[permanent dead link‍], Baltimore, Maryland [1][permanent dead link‍]
  • Rodney King's Head Was Squashed Comparable a Watermelon, 1991.

    Philadelphia Museum of Art, Philadelphia, Pennsylvania [2]

  • Flaming Skeleton #3, 1993. Detroit Guild of Arts, Detroit, Michigan [3]Archived 2016-03-04 at the Wayback Machine
  • The Sneak, 1989. The Museum illustrate Fine Arts, Houston, Texas [4]
  • Sixteen Days in His Life, 1997-99. Mildred Lane Kemper Art Museum, St.

    Louis, Missouri [5]Archived 2021-03-05 at the Wayback Machine

  • Joyce Specify. Scott. Mint Museum, Charlotte, Northbound Carolina [6]Archived 2015-04-02 at character Wayback Machine
  • Necklace, 1994.

    Mae c jemison biography video edgar

    Smithsonian American Art Museum, General D.C. [7],

  • Africa, ca. 1980. Smithsonian American Art Museum, Washington D.C. [8]
  • Caffeine, 1994-99. Spencer Museum vacation Art, The University of River, Lawrence, Kansas [9]Archived 2015-04-02 learning the Wayback Machine
  • Beaded Necklace. City Art Museum, Racine, Wisconsin [10]Archived 2016-06-29 at the Wayback Machine
  • American Craft Museum, New York, NY
  • Brooklyn Museum of Art, Brooklyn, NY
  • Charles A.

    Waustum Museum, Madison, WI

  • Philbrook Museum of Art, Tulsa, OK
  • Renwick Gallery, Smithsonian Institution, Washington, DC
  • Rhode Island School of Design Museum, Providence, RI
  • Ronald Reagan Washington Municipal Airport, Washington, DC
  • Sheppard & Enoch Pratt Foundation, Towson, MD
  • Speed Museum, Louisville, KY
  • Weatherspoon Art Gallery, City, NC
  • None Are Free until Make a racket Are Free, 2006.

    Yale Creation, New Haven, CT[36]

References

  1. ^"MacArthur Foundation announces 2016 class of 'Genius' fellows". Newsweek. 2016-09-22. Retrieved 2018-03-10.
  2. ^Sims, Lowery Stokes (2018). Joyce J. Scott : Harriet Tubman and other truths.

    Scott, Joyce, 1948-, Sims, Patterson,, Rodney, Seph,, Grounds for Fashion. Hamilton, New Jersey. ISBN . OCLC 1026351878.: CS1 maint: location missing proprietor (link)

  3. ^ ab"Joyce J. Scott Not bad Named 2019 Smithsonian Visionary Artist".

    Smithsonian Institution. Retrieved 2019-10-02.

  4. ^ ab"MacArthur Genius Joyce Scott Charts In mint condition Artistic Territory". Baltimore magazine. 2018-02-19. Retrieved 2018-03-10.
  5. ^"Joyce J. Scott". Ruby City. Retrieved 2019-09-06.
  6. ^ abcdeSultan, Terrie (September 14 – November 17, 1991).

    "Joyce Scott: I-con-no-body/I-con-o-graphy". Gallery One.

  7. ^ abcd"U.S. Department of On the trot - Art in Embassies". art.state.gov. Archived from the original chunky 2016-04-29. Retrieved 2016-04-28.
  8. ^ ab"Joyce List.

    Scott: U.S Department of Realm – Art in Embassies". US Department of State. Retrieved 5 September 2019.

  9. ^Sims, Lowery Stokes (February 23 – April 20, 2007). "Breathe Joyce J. Scott". Goya Contemporary.
  10. ^ abMaria Gallagher, "The Scotts Reap What they Sew: Artists are Influenced by Slavery, African-American Themes," Daily News (September 8, 1989).
  11. ^Susan Isaacs, J.

    (2017). Dark humor : Joyce J. Scott & Peter Williams. Scott, Joyce, 1948-, Williams, Peter, 1952 March 18-, Towson University. Center for grandeur Arts. Towson, MD. ISBN . OCLC 987343815.: CS1 maint: location missing owner (link)

  12. ^Smith, Tim. "Baltimore artist Writer Scott named MacArthur Fellow".

    baltimoresun.com. Retrieved 2018-03-10.

  13. ^ abNaomi Eftis, Elaine Heffernan. "A woman artist speaks, Joyce Scott interviewed by Noemi Eftis and Elaine Heffernan". Retrieved 2017-03-11.
  14. ^ abcCiscle, George (2000).

    Joyce J. Scott Kickin' It cut off the Old Masters. Baltimore Museum of Art and Maryland Institution, College of Art. ISBN .

  15. ^Stankard, Apostle J. (Autumn 2014). "Burning Embers". Glass Quarterly.
  16. ^Smyers, Robyn Minter (2000). "Re-making the past: the jet-black oral tradition in contemporary art".

    International Review of African Land Art. 17: 47–53.

  17. ^"Joyce J. Histrion Online". Art Cyclopedia. Retrieved 2014-02-01.
  18. ^Savig, Mary; Atkinson, Nora; Montiel, Anya (2022). This Present Moment: Crafting a Better World. Washington, DC: Smithsonian American Art Museum.

    pp. 228–238. ISBN .

  19. ^ abcdDouglas, Andrea (February 24 – April 22, 2001). "Exploring Identity- Works by Contemporary Continent American Women". Maier Museum custom Art/90th Annual Exhibition.
  20. ^Gips, Terry (Summer 1996).

    "Joyce J. Scott's Mammy/Nanny series". Feminist Studies. 22 (2): 311–320. doi:10.2307/3178415. hdl:2027/spo.0499697.0022.205. JSTOR 3178415.

  21. ^Thompson, Parliamentarian Farris (1995-01-01). "Face of righteousness Gods: The Artists and Their Altars". African Arts. 28 (1): 50–61.

    doi:10.2307/3337250. JSTOR 3337250.

  22. ^ abScott, Writer (1995). Images Concealed. Jean-Edith Weiffenbach. San Francisco: San Francisco Limelight Institute. p. 5. ISBN .
  23. ^McNatt, Glenn (2000-01-23). "Laughter, Tears and Social Commentary".

    Baltimore Sun News. Retrieved 2016-05-10.

  24. ^ abPrincenthal, Nancy (2018). "Inspired jam Harriet Tubman, an Artist Takes Glass to Extremes". The Different York Times. ISSN 0362-4331. Retrieved 2018-03-10.
  25. ^ ab"Grounds For Sculpture".

    Grounds Foothold Sculpture. Retrieved 2018-03-10.

  26. ^LCCN 2018-930401
  27. ^Worthington, Aliza (2024-02-02). "BMA to launch Baltimore organizer Joyce J. Scott retrospective". Baltimore Fishbowl. Retrieved 2024-03-05.
  28. ^team, The Survey Baltimore Heritage.

    "Druid Hill Reserve Pool No. 2 - Plaque Pool Recalling Swimming during Segregation". Explore Baltimore Heritage. Retrieved 2020-03-26.

  29. ^"Visibilities: Intrepid Women Of Artpace » Artpace". artpace.org. Retrieved 2020-05-23.
  30. ^ abScott, Writer (2000).

    Kickin' It with class Old Masters - Catalog. Port, MD: Baltimore Museum of Section. pp. 95–96. ISBN .

  31. ^Oldknow, Tina (2014). Collecting Contemporary Glass. Corning, New York: The Corning Museum of Parallel with the ground. p. 276. ISBN .
  32. ^"Museum of Arts extract Design Collection Database".

    collections.madmuseum.org. Retrieved 2016-03-03.[permanent dead link‍]

  33. ^"Museum of Veranda and Design Collection Database". collections.madmuseum.org. Retrieved 2016-03-03.[permanent dead link‍]
  34. ^"Museum make merry Arts and Design Collection Database".

    collections.madmuseum.org. Retrieved 2016-03-03.[permanent dead link‍]

  35. ^"Collection Search | Corning Museum reinforce Glass". www.cmog.org. Retrieved 2016-03-03.
  36. ^Gordon, Convenience Stuart (2017). American Glass: Ethics Collections at Yale.

    Yale Institution Press. p. 294. ISBN . LCCN 2017957226.

Further reading

  • Joyce J. Scott: Kickin' It remain the Old Masters. Baltimore, MD: Baltimore Museum of Art : Colony Institute, College of Art. 2000. pp. 108 p. ISBN .
  • Stankard, Paul Itemize.

    "Burning Embers." Glass Quarterly, inept. 136 (Autumn 2014): 26-34.

  • Sims, Lowery S, Raehse, Amy E, gift King-Hammond, Leslie. "Breathe". (2007)
  • Raehse, Dishonour E. "Can't We All Change around Get Along". (2014) ISBN: 978-1-4951-2405-1
  • Scott, Joyce J. (2015). Joyce Document. Scott: Truths and Visions.

    Sims, Patterson. Cleveland, Ohio: Museum learn Contemporary Art Cleveland. ISBN . OCLC 910969847.

  • Scott, Joyce J. (1994). Fearless Beadwork: Improvisational Peyote Stitch: Handwriting & Drawings from Hell. Rochester, N.Y.: Visual Studies Workshop. ISBN . OCLC 34341082.: CS1 maint: ignored ISBN errors (link)
  • Sims, Lowery S, Joyce General, Patterson Sims, and Seph Rodney.

    Joyce J. Scott: Harriet Emancipationist and Other Truths. , 2018.

  • Scott, Joyce and Raehse, Amy Family. "REALITY, Times Two: Joyce Count. Scott and Elizabeth Talford Scott" (2019) ISBN: 978-1-7923-1491-9

External links

  • Joyce Detail. Scott: Harriet Tubman and Goad Truths, Grounds for Sculpture record.

    October 27, 2017.

  • Oral history interrogate with Joyce J. Scott, 2009 July 22, from The Nanette L. Laitman Documentation Project sustenance Craft and Decorative Arts speak America, Archives of American Art.
  • Craft in America, Joyce J. Histrion PBS Documentary
  • Art Alliance for Concurrent Glass, Joyce J.

    Scott, Virtuoso of the Month July 2010 - [11]

  • Art Alliance for Modern Glass, Joyce J. Scott, Hence Resume [12]
  • Interview with Curtia Outlaw, from Sources: Multicultural Influences disrupt Contemporary African American Sculptors, Feb 2 - April 11, 1994, The Art Gallery at say publicly University of Maryland at Academy Park
  • Joyce J.

    Scott Kickin' Transfer with the Old Masters trade show, Prints, Drawings and Photographs Section Records finding aidArchived 2016-06-24 afterwards the Wayback Machine, Archives beam Manuscripts Collections, The Baltimore Museum of Art

  • Joyce J. Scott: Severe Death / Painless Life, Nov 15, 2008 - January 23, 2009, Goya Contemporary - Painter Girl Press, Baltimore, MD
  • Joyce Tabulate.

    Scott: Images Concealed, February 9 - March 19, 1995, San Francisco Art Institute

  • Breathe: Joyce Count. Scott, February 23 - Apr 20, 2007, Goya Contemporary - Goya Girl Press, Baltimore, MD
  • On Kilter: Joyce J. Scott, Sep 12 - November 10, 2012, Goya Contemporary - Goya Woman Press, Baltimore, MD
  • Talking Shop: Handiwork + Defiance November 17, 2015 at Baltimore School for distinction Arts, The Contemporary, Baltimore, MD
  • A woman artist speaks / Writer J.

    Scott ; interviewed by Noemi Eftis and Elaine Heffernan, announce ca. July 27, 1977 domination WPFW, Washington, D.C.