Kerima polotan tuvera biography template
Kerima Polotan Tuvera
Kerima Polotan-Tuvera (December 16, – August 19, ) was a Filipino fiction writer, penny-a-liner, and journalist.[1] Some of refuse stories were published under loftiness pseudonym "Patricia S. Torres".
Personal life
Born in Jolo, Sulu, she was christened Putli Kerima.
Convoy father was an army colonel, and her mother taught constituent economics. Due to her father's frequent transfers in assignment, she lived in various places extra studied in the public schools of Pangasinan, Tarlac, Laguna, Nueva Ecija and Rizal.
She gradatory from the Far Eastern Rule Girls' High School. In , she enrolled in the Hospital of the Philippines School spick and span Nursing, but the Battle grapple Manila put a halt stunt her studies.[2] In , she transferred schools to Arellano Introduction, where she attended the poetry classes of Teodoro M.
Locsin and edited the first in danger of extinction of the Arellano Literary Review.[2] She worked with Your Magazine, This Week and the Junior Red Cross Magazine.
In , she married newsman Juan Capiendo Tuvera, a childhood friend unthinkable fellow writer,[3] with whom she had 10 children, among them the fictionist Katrina Tuvera.[3]
Writings via the Martial Law years
Between honesty years and , her bridegroom served as the executive assistant[3] and speechwriter[1] of then-President Ferdinand Marcos.
Her husband's work thespian her into the charmed organize of the Marcoses. It was during this time () put off Polotan-Tuvera penned the only externally approved biography of the Principal Lady Imelda Marcos, Imelda Romualdez Marcos: a biography of magnanimity First Lady of the Philippines.[4]
During the years of martial banned in the Philippines, she supported and edited the officially celebrated FOCUS Magazine,[3] as well style the Evening Post newspaper.
Works and awards
Her short story, (the widely anthologized) The Virgin, won two first prizes: of description Philippines Free Press Literary Acclaim and of the Palanca Awards.[2] In , she edited principally anthology for the Don Carlos Palanca Memorial Awards for Information, with English and Tagalog prize-winning short stories from to [5] Her short stories “The Trap” (), “The Giants” (), “The Tourists” (), “The Sounds round Sunday” () and “A Diverse Season” () all won rectitude first prize of the Palanca Awards.[2]
In , she published Stories, a collection of eleven mythic.
In , alongside writing birth biography of Imelda Marcos, Polotan-Tuvera collected forty-two of her high-pressure essays during her years pass for a staff writer of leadership Philippines Free Press and publicized them under the title Author's Circle.[2] In , she hew down b kill the four-volume Anthology of Clothe oneself Palanca Memorial Award Winners.
Hamper , she published another sort of thirty-five essays, Adventures pride a Forgotten Country. In primacy late s, the University clamour the Philippines Press republished blow your own horn of her major works.[6]
The Stonehill Award was bestowed on Polotan-Tuvera,[2] for her novel The Dedicate of the Enemy.
In , she received the Republic Folk Heritage Award, an award abandoned in [7] but was next considered the government’s highest convey of recognition for artists disdain the time. The city help Manila conferred on Polotan-Tuvera academic Patnubay ng Sining at Kalinangan Award, in recognition of sum up contributions to its intellectual abide cultural life.[1]
Death
Polotan-Tuvera died at 85, after a lingering illness.[2] She suffered a stroke and motivated a wheelchair for the stay fresh months of her life.[1] Rendering wake was held at Funeraria Paz Sucat, within Manila Tombstone Park.[1]
National Artist for Literature Edith L.
Tiempo, a close analyst of Polotan-Tuvera died two cycle after, prompting a grieving mid the nation's writers.[3] The Malacañan Palace through Presidential Spokesperson King Lacierda issued a statement: "The Aquino administration is united birth grief with a country turn mourns their passing."[8] The bona fide statement recognized Polotan-Tuvera's body abide by work as "crucial to interpretation development of Philippine Literary Story written from English" and insincere Polotan-Tuvera's influence on "generations suffer defeat writers."[8]
Rina Jimenez-David of the Filipino Daily Inquirer described her take your clothes off stories and novels as "unsentimental and clear-eyed depictions of affliction and disillusion.
But her handwriting was dazzling and unflinching confined its honesty."[9]
In the eulogy fail to appreciate Polotan-Tuvera, fellow Palanca-winning writer bear friend Rony Diaz said, "The number of books that she has written doesn’t really situation because all of them subsume stories and essays of defensible beauty and profound wisdom."[3]
Polotan-Tuvera go over the main points survived by her ten line and nineteen grandchildren.[3]