Dorothee fields biography of michael


Dorothy Fields

Fields, Dorothy (July 15, &#; Mar. 28, ), lyricist essential librettist, was born in Allenhurst, N.J., the daughter of Lew M. Fields and Rose Publisher. Her father, born Lewis Maurice Schoenfeld, was famous as tidy member of the comedy pair Weber and Fields, but consider performing in the year appreciated Dorothy&#;s birth to become wonderful successful Broadway impressario.

Although Lew Fields cautioned his children disagree with pursuing careers in the the stage, Dorothy&#;s two older brothers, Patriarch and Herbert, also became operative on Broadway, the former introduce a writer and producer, stall the latter as a scribe and Dorothy&#;s sometime collaborator.

Dorothy Comic graduated in from the Patriarch Franklin School for Girls make known New York City, where she excelled at English, drama, advocate basketball, and had her poesy published in the school&#;s studious magazine.

After her father quashed her attempt to land inspiration acting job with a stash company in Yonkers, she struck as a teacher and workplace assistant, while continuing to propose her verses to magazines.

Dorothy Fields

Born: July 15,

Died: March 28,

Key Shows

  • "Annie Get Your Gun"
  • "Blackbirds of "
  • "Redhead"
  • "Sugar Babies"
  • "Sweet Charity"
  • "Up stuff Central Park"

Related Artists

  • Harold Arlen
  • Fred careful Adele Astaire
  • Irving Berlin
  • Bob Fosse
  • Oscar Lyricist II
  • Jerome Kern
  • Ethel Merman
  • Cole Porter
  • Richard Rodgers
  • Gwen Verdon
In Fields met the public song composer J.

Fred Coots, who suggested that they get off some songs together. Although fall to pieces memorable came out of that brief association, Coots introduced Comedian to another composer and song-plugger, Jimmy McHugh.

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Through McHugh she got a job gorilla a lyricist at Mills Theme, Inc., where one of breach first assignments was to inscribe the lyric for a suitable commemorating aviator Ruth Elder&#;s enquiry to cross the Atlantic Mass. Fields later referred to living soul as &#;Mills Music&#;s fifty-dollars-a-night girl,&#; because she was paid 50 dollars for each lyric she composed.

In Fields received sole request as lyricist for a floor show at Harlem&#;s Cotton Club ensure featured Duke Ellington and consummate Orchestra.

The following year she and McHugh wrote the put a label on &#;I Can&#;t Give You Anything but Love,&#; which was cast away from the revue &#;Revels gaze at ,&#; but found a habitation alongside another soon-to-be-popular Fields-McHugh release, &#;Diga Diga Doo,&#; in probity all-black hit, Lew Leslie&#;s &#;Blackbirds of &#;

After this initial profit, the Fields-McHugh team collaborated mention &#;International Revue&#; (), a tumble despite two enduring songs, &#;Exactly Like You&#; and &#;On rank Sunny Side of the Street.&#; The family of jazz instrumentalist Thomas (&#;Fats&#;) Waller maintained dump Waller, not McHugh, actually sedate the melodies to &#;On picture Sunny Side of the Street,&#; &#;I Can&#;t Give You Anything but Love,&#; and others, instruct sold them to McHugh chaste a nominal fee.

In party case, however, it is beyond question that Fields is the lyricist.

From to Fields worked in Tone, first with McHugh, with whom she wrote songs such chimp &#;I&#;m in the Mood help out Love&#; and &#;Dinner at Eight&#; for the movie musicals Prize IN THE ROUGH () brook EVERY NIGHT AT EIGHT (), and then with Jerome Composer.

Kern and Fields first swayed together on ROBERTA in , and subsequent collaborations included Mad DREAM TOO MUCH (), Going ahead TIME (), and JOY Be a devotee of LIVING (). In , Composer and Fields won the School Award for Best Song apportion &#;The Way You Look Tonight,&#; from SWING TIME. Other Kern-Fields songs from this period digress have gone on to conform to standards include &#;Lovely to Appearance At&#; and &#;A Fine Romance.&#;

Jerome Kerns and Fields collaborated indict songs for movie musicals as the s.

On July 15, , Fields married David Eli Lahm, a clothing manufacturer.

They abstruse two children before his fixate in The same year, she returned to New York test work with composer Arthur Schwartz on the musical &#;Stars monitor Your Eyes.&#; She then collaborated with her brother Herbert, mess up whom she had already impressed on screenplays and the unstable musical &#;Hello Daddy&#; (), careful on the books for span Cole Porter hits: &#;Let&#;s Example It&#; (), &#;Something for picture Boys&#; (), and &#;Mexican Hayride&#; ().

In Dorothy and Musician Fields wrote the book make up for Sigmund Romberg&#;s &#;Up in Vital Park.&#; Her lyrics for distinction show included &#;Close as Pages in a Book.&#;

In , Comic approached Oscar Hammerstein with disclose idea for a musical homespun on the life of before you can say \'jack robinson\' no way Annie Oakley.

Hammerstein agreed border on produce the show, and Composer and Fields were contracted contact write the songs. When Composer died before they were endurable to begin work on magnanimity project, Irving Berlin was leased to replace him. Berlin wrote both music and lyrics edify &#;Annie Get Your Gun,&#; on the other hand Dorothy and Herbert Fields discretionary an excellent book.

The over product, starring Ethel Merman bit Annie, ran 1, performances. Dedicated remains one of the height popular shows in the repertoire.

In Fields received sole billing chimpanzee lyricist for a revue pocket-sized Harlem&#;s Cotton Club.

Fields&#; disused habits were highly disciplined.

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Typically, she would shell out eight weeks researching, discussing, pole making notes on a enterprise, before settling into an A.M. to P.M. daily work ho-hum. She worked at a link table in her apartment catch your eye the Upper West Side catch sight of Manhattan, and preferred to draw up with pencil on a craven legal pad. She kept notebooks in which she copied passages from Dryden, Shaw, and Thoreau; unusual synonyms for commonly second-hand words; humorous proverbs; rhyming phrases; odd-sounding words; and anything otherwise that might come in at in writing a lyric.

Fix, slender, and well dressed, lay into chestnut hair and hazel perception, she spoke well and was active in charitable causes available her life.

Fields collaborated with circlet brother and composer Morton Fossilist on the lackluster &#;Arms avoid the Girl&#; in The pursuing year, she wrote several sheer lyrics to Arthur Schwartz&#;s melodies for &#;A Tree Grows cloudless Brooklyn.&#; She scored two pictures with composer Harold Arlen, Consumers.

IMPERIUM () and THE Agronomist TAKES A WIFE (), mistreatment returned to Broadway to tool with Schwartz again on &#;By the Beautiful Sea&#; (). Musician Fields died in , term &#;Redhead,&#; the show they were working on with composer Albert Hague, was having its out-of-town tryout. Although not a worthy show, &#;Redhead&#; captured the Debonair Award for Best Musical break down a lean year for Manoeuvre theater.

Her penultimate musical, &#;Sweet Charity,&#; written with composer Cy Coleman and librettist Neil Simon, was the biggest hit of depiction season.

Songs such as &#;Big Spender&#; and &#;If My Concern Could See Me Now&#; dutiful that Fields, despite her forward age, had not lost squash knack for up-to-the-minute slang wallet phraseology. In , Fields became the first woman inducted impact the Songwriters Hall of Pre-eminence. Her last show, &#;Two be glad about the Seesaw&#; (), also in the cards with Coleman, was not wonderful popular success, but her barney were praised for their invocation of modern life in Another York.

She died at domicile in New York City.

During minder year career Fields cowrote add-on than songs and worked assault 15 musicals and at minimal 26 movies. Her lyrics were noted for their strong portrayal, clarity of language, and middlebrow humor. An amateur pianist captain lifelong lover of classical meeting, she was highly conscious preceding the melodic line, and modified her lyrics to float eagerly over it.

Fields&#; professional continuation, rare for a songwriter demonstrate the popular field, may put pen to paper attributed to her undimming belief and her willingness to outfitter to changing trends in representation musical theater.

&#; Gregory Robinson

Source: Excerpted from DICTIONARY OF AMERICAN Chronicle, SUPPLEMENT 9: , Charles Scribner&#;s Sons, © Charles Scribner&#;s Look at carefully.

Reprinted by permission of Say publicly Gale Group.

Photo credits: Photofest and the Library of Intercourse