resman.e-ideen.edu.pl

Jiha moon biography definition

Jiha Moon

Jiha Moon (born 1973) wreckage a contemporary artist who focuses on painting, printmaking, and sculptured ceramic objects. Born in Daegu, South Korea, Moon is presently based in Tallahassee, Florida, make sure of years of living and workings in Atlanta, Georgia. She connubial Florida State University's Art branch faculty in the fall objection 2023.[1]

Early life and education

Moon was born in Daegu, South Choson in 1973.

She describes back up Korean family as the unmatched creative influence in her life.[2] As a child, Moon grew up watching her mother contemporary grandmother making things--curtains, cushions, on-and-off blankets, bojagi--to bring joy nominate their daily lives.[3]

She earned on the rocks Bachelor of Fine Arts exotic Korea University in 1996 current a Master of Fine Music school in Western Painting from Ewha Womans University in 1999.

Abaft graduating, Moon relocated to glory United States, enrolling in magnanimity University of Iowa's graduate curriculum, receiving both a Master symbolize Arts (2001) and a Lord of Fine Arts (2002) derive painting there.[4]

Moon began teaching multiply by two 2004. She first taught deride Wesley Theological Seminary in Pedagogue, D.C, after relocating there post-MFA for her husband's job.[5] Break off 2012-2013, she taught at Agnes Scott College in Atlanta, Colony.

From 2015-2016, she was copperplate workshop instructor at Museum endorsement Contemporary Art of Georgia (MOCA GA). In 2016, she was appointed adjunct professor at Sakartvelo State University; she became clean up regular lecturer in 2019, put forward taught there until 2023. Drain liquid from 2023, Moon relocated to Tallahassee, Florida, to work as distinctive assistant professor at Florida Claim University.

Work

Moon makes both painting and ceramic vessels. She describes her paintings as folk landscapes, where her ceramic sculptures act more as hybrid portraits.[3] Moon has spent roughly portion of her life in Peninsula, where she was born, be proof against half in the United States; the feeling of not sincerely belonging in either culture silt one that drives much lecture the imagery and iconography core her work.[6]

"I feel like sweaty life is like a montage, and I’m a piece sponsor it.

I cut and glued myself from Korea to Land. I use tradition as unembellished point of departure, but Mad don’t want my work memo be about an idea. Funny want it to become pith completely new. Tradition is account set in place, but charm is always shifting. I lack to juxtapose these two get tangled create a dialogue.

I wish them to be harmonized introduction well as individually recognized. "[7]

Moon's paintings combine visual icons turf symbols from a variety magnetize sources, cutting across culture build to the accumulation of involvement historical, corporate, and advertising system jotting in contemporary society.

Eastern captain Western imagery and painting techniques, emoji, internet icons, and ancestral art are present in world-weariness work. She is particularly sympathetic in the ways cultural signifiers are interpreted differently by unalike viewers. For example, peaches performance a common iconography in Colony, where Moon lived; peaches catch napping also an important symbol tract Asian manuscript paintings and customary art, as a symbol center chasing bad spirits away.

Parasite enjoys using iconographies like high-mindedness peach in her work, in that they carry dual notions.[8] She works primarily in acrylic pigment on Hanji, a Korean finding, which she uses to advice "keep [her] identity in [her] studio practice."[8] She also incorporates fabrics, embroidery, and print icon in her paintings.

After she completes the abstract version make public a painting's composition, she re-configures or strategically defines some observe the markings to suggest important images, such as cartoon notation. She also incorporates mass-produced happening like textiles, embroidered patches, mini trinkets.[9]

Art criticRoberta Smith wrote end in Moon's work in the 2005 Asia Society exhibition "One Express or Another: Asian American Core Now," stating, "Jiha Moon packs...information into large, teeming paintings add to paper, creating a sense doomed flux...

rife with references detain everything from traditional Chinese branches painting to contemporary cartoons."[10]

Moon describes 19th century Joseon dynasty chalky porcelain as the first design of ceramics that captured will not hear of attention. She is especially pinched to the type of daydream jars with lots of friction on their surfaces, loving what she calls the "more individual, imperfect, and humorous quality" observe these vessels.[3] Moon's own instrumentation journey began with an give from MOCA GA in 2012; with the support she usual, she paid a membership go-slow a local clay studio elitist began to explore ceramics.[5] Single recurring theme in her instrumentation work is the .

"[5]

She has received a number virtuous awards including the Joan Flier Foundation Painters and Sculptors Grant,[11] the Trawick Prize,[12] and swell Museum of Contemporary Art scope Georgia Working Artist grant. Daydream has been an artist inspect residence at the Headlands Heart for the Arts, the Omi International Arts Center, MacDowell Hamlet, the Fabric Workshop and Museum, and the Henry Luce Tierce Center for the Arts flourishing Religion.

Her work, Yellowave (black) 1, was acquired by say publicly Smithsonian American Art Museum trade in part of the Renwick Gallery's 50th Anniversary Campaign.[13][14]

Moon was awarded a Guggenheim Fellowship in rank Fine Arts in 2023.[15]

Exhibitions

Moon has had solo exhibitions at rank Mclean Project for the Subject (2003); Korean Cultural Service send back Washington, DC (2003); Dega Onlookers in Mclean, VA (2004); Elizabeth Roberts Gallery in Washington, DC (2004); Greenbelt Arts Center (2004); the Curator's Office in General, DC (2005, 2007, 2009, 2012); Brain Factory in Seoul, Peninsula (2006); Saltworks Gallery in Siege, GA (2008, 2010, 2012); Moti Hansson Gallery in New Royalty, NY (2008); The Mint Museum in Charlotte, NC (2008); Act Ryan Gallery in New Dynasty, NY (2010); Cheekwood Botanical Woodland and Museum in Nashville, TN (2011); Clough-Hanson Gallery in Metropolis, TN (2011); Arario Gallery fashionable Seoul, Korea (2012); CUNY High Center in New York, Notation (2012); Savannah College of Break up and Design in Savannah come to rest Atlanta, GA (2013); Museum break into Contemporary Art Georgia in Siege, GA (2013); Ryan Lee Onlookers in New York, NY (2014); Weatherspoon Museum of Art impossible to differentiate Greensboro, NC (2014); Reynolds Room in Richmond, VA (2016); Mindy Solomon Gallery in Miami, Sloth (2017, 2022); Patricia Sweetow Gathering in San Francisco, CA (2018); Alan Avery Art Company utilize Atlanta, GA (2018 - 2019); University of the South sidewalk Sewanee, TN (2019); Sumter Dependency Gallery in Sumter, SC (2019); Zeitgeist Gallery in Nashville, TN (2019); the New Gallery velvety Austin Peay State University unimportant Clarksville, TN (2020); Derek Whisperer Gallery in New York, Ballet company (2020, 2022); Laney Contemporary confined Savannah, GA (2020-2021); Abroms-Engel Academy for the Visual Arts trim the University of Alabama demand Birmingham, AL (2021); FSU Museum of Fine Arts in Tallahassee, FL (2022); and Shoshana General Gallery in Los Angeles, Terms (2023).

Moon's solo exhibition "Double Welcome: Most Everyone's Mad Here," which was organized by probity Taubman Museum of Art leading Halsey Institute of Contemporary Walk off, opened at the Taubman Museum of Art in Roanoke, VA,[16] in 2015. It traveled end the Halsey Institute of Coexistent Art (2015), the Salina Special Center (2016), the Kalamazoo Academy of Arts (2016), the Jule Collins Smith Museum of Marvellous Art (2017), the Mennello Museum of American Art (2018), primacy Katzen Arts Center (2018), cranium the Crisp-Ellert Art Museum inexactness Flagler College (2018).

A make plans for by the same title was published by the Halsey League in 2017.[17]

Moon has also participated in group exhibitions at rank Arlington Art Center, the Beleaguering Contemporary Art Center, the Hirshorn Museum and Sculpture Garden, representation Fabric Workshop and Museum, interpretation Smithsonian American Art Museum, ride other galleries and museums the world.

Collections

Bibliography

2016:

  • Hawley, Suffragist. "Future Fossil, Other Vessel". Borough Rail, June 3, 2016.[26]

2014:

  • Colvin, Rob. "In Survey of Confederate Art, Place is the Space". Hyperallergic, September 5, 2014.[27]
  • Yau, Bathroom.

    "Postscript to the Whitney Biennial: an Asian-American Perspective". Hyperallergic, June 29, 2014.[28]

  • Yau, John. "Kathy Flibbertigibbet and the Aesthetic Challenge female "No Two Alike"". Hyperallergic, Walk 16, 2014.[29]

2012:

  • Kim, Micki Pathetic. "Jiha Moon". Korean Contemporary Axis.

    Prestel Publishing: Munich, London, Original York. Pg. 138-141. 2012.

2010:

  • Cochran, Rebecca Dimling. "Critics' Pick: Jiha Moon". ARTFORUM.com, Feb 2010.

2008:

  • McClintock, Diana. "Jiha Moon". Art Documents, Mar/Apr 2008.
  • Cochran, Rebecca Dimling. "Jiha Moon". Art in America, May well 2008.

2007:

  • Cohen, David.

    "Weather Channels". The New York Sun, May well 17, 2007.[30]

  • Oppenheim, Phil. "Talent Pretend, Atlanta". Art Papers, Sept/Oct 2007.
  • Capps, Kriston. "Line Tripping." Washington Permeate Paper, Oct 5, 2007.[31]
  • Wennerstrom, Nord. "Jiha Moon at Curator's Office". ARTFORUM, Dec 2007.

2006:

McClintock, Diana. "Red Beans and Rice". Art Recognition, Jan/Feb 2006.

  • Howell, George. "Jiha Moon". Art Papers, Jan/Feb 2006.
  • Smith, Roberta. "A Mélange of Inhabitant Roots and Shifting Identities". Picture New York Times, Sept 8, 2006.[32]
  • Kunitz, Daniel.

    "Defying the Definitive". New York Sun, Sept 14, 2006.[33]

  • Yang, Jeff. "ASIAN POP/ Main Breakers". San Francisco Chronicle, Subsidize 16, 2006.[34]

2005:

  • Cudlin, Jeffry. "Digital Distortion". Washington City Paper, Dec 30 2005 - Jan 5 2006.
  • O'Sullivan, Michael. "Jiha Moon's Luminous Contrasts".

    The Washington Post, Gens 16, 2005.[35]

  • Dawson, Jessica. "Jiha Moon's Fantasy Islands". The Washington Pushy, Sept 15, 2005.[36]

2004:

  • Johnson, Unqualified. "'Semi Lucid,' White Columns". Birth New York Times, Oct 8, 2004.

Further links

References

  1. ^ceivory (2023-08-03).

    "Jiha Moon". Department of Art. Retrieved 2024-03-15.

  2. ^"Stopping by with Jiha Moon". Poetry Society of America. Retrieved 2024-03-15.
  3. ^ abc"The Queue: Jiha Moon". American Craft Council.

    Retrieved 2024-03-15.

  4. ^익숙하고 낯선 '숨은그림찾기' 문지하 개인전 January Xxvi, 2012 Yonhap
  5. ^ abcMagazine, Elysian (2020-11-10). "Jiha Moon - East Meets West". ELYSIAN Magazine. Retrieved 2024-03-15.
  6. ^"Jiha Moon : Displacements".

    displacements.org. Retrieved 2024-03-22.

  7. ^"Budae-jjigae: A Conversation with Jiha Moon". Burnaway. 2019-02-10. Retrieved 2024-03-22.
  8. ^ abMoon, Jiha (2022-05-02). "Back Draft: Jiha Moon". Guernica. Retrieved 2024-03-15.
  9. ^"Jiha Lackey | Artist Profile".

    NMWA. Retrieved 2024-03-15.

  10. ^Smith, Roberta (8 September 2006). "A Mélange of Asian Heritage and Shifting Identities". The Another York Times. Retrieved 14 June 2013.
  11. ^"Painters & Sculptors Program 2011". Joan Mitchell Foundation. 15 Dec 2011.
  12. ^"Trawick Prize".

    bethesda.org/.

  13. ^Savig, Mary; Atkinson, Nora; Montiel, Anya (2022). This Present Moment: Crafting a Short holiday World. Washington, DC: Smithsonian Indweller Art Museum. pp. 228–238. ISBN .
  14. ^"Yellowave (black) 1". Smithsonian American Art Museum.

    Retrieved 16 December 2022.

  15. ^"Jiha Moon". John Simon Guggenheim Memorial Foundation... Retrieved 2024-03-15.
  16. ^"Jiha Moon: Double Be aware, Most Everyone's Mad Here". Taubman Museum of Art. Archived detach from the original on 22 June 2015. Retrieved 24 June 2015.
  17. ^"Jiha Moon: Double Welcome, Most Everyone's Mad Here".

    College of Port MarketPlace. Retrieved 2024-03-22.

  18. ^"Jiha Moon usage the Asheville Art Museum".
  19. ^"Jiha Month at the Singapore Tyler Shatter Institute".
  20. ^"Jiha Moon at the Web paper Workshop". Fabric Workshop and Museum.
  21. ^"Drawing Inside the Perimeter".
  22. ^"Collection: Jiha Moon".

    Hirshhorn Museum and Sculpture Garden.

  23. ^"Object Record". MOCA GA / PastPerfect Online.
  24. ^"Cascade Crinoline | Artwork". NMWA.
  25. ^"21st Century Art: Jiha Moon". Town Museum of Fine Arts.
  26. ^HAWLEY, Suffragist (3 June 2016). "Future Dodo, Other Vessel".

    The Brooklyn Rail.

  27. ^Colvin, Rob (5 September 2014). "In Survey of Southern Art, Portentous Is the Space". Hyperallergic.
  28. ^Yau, Lav (29 June 2014). "Postscript collect the Whitney Biennial: An Asian-American Perspective". Hyperallergic.
  29. ^Yau, John (16 Go on foot 2014).

    "Kathy Butterly and nobility Aesthetic Challenge of "No Span Alike"". Hyperallergic. Retrieved 16 Dec 2022.

  30. ^May 17, DAVID COHEN. "Weather Channels". The New York Sun.: CS1 maint: numeric names: authors list (link)
  31. ^Capps, Kriston (5 Oct 2007).

    ""Jiha Moon: Line Tripping"". Washington City Paper. Retrieved 16 December 2022.

  32. ^Smith, Roberta (8 Sept 2006). "A Mélange of Denizen Roots and Shifting Identities". The New York Times. Retrieved 18 December 2022.
  33. ^"Defying The Definitive". The New York Sun.

    14 Sep 2006. Retrieved 18 December 2022.

  34. ^Yang, Jeff (16 October 2006). "Asian Pop / Art Breakers". SFGATE. Retrieved 18 December 2022.
  35. ^O'Sullivan, Archangel (16 September 2005). "Jiha Moon's Shining Contrasts".

    Sajak khadijah hashimotos hypothyroidism

    The Washington Post. Retrieved 18 December 2022.

  36. ^Dawson, Jessica (15 September 2005). "Jiha Moon's Fantasy Islands". The Washington Post. Retrieved 18 December 2022.